SPFF. 貌似17年爆款波兰金狮奖得主(前一年是最后的家庭今年是冷战)采用了同The Last Famiy类似的home video(伪)私影像与主叙事镜头(但同样是手持跟拍除了像素高些并没有很好的区分度)混接的手法但这里的作用可能除了带观众走下小女孩视角下的天真亲切就无他了没什么cinematography可言故事上也不如雪山之家或Wajib relatable无码任你躁久久久久久在公共场所对于对波兰当下情况存在隔阂的观众而言故事会显得病态莫名结尾甚至狗血
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Creating a Brechtian distanciation via self-reflexivity and intertextuality, it deconstructs traditional film expressions while remains an aesthetical and philosophical classism, where subjectivity of the heroine - a martyr to capitalist patriarchy - is circumscribed for effect.